One of the most memorable scenes of 2017 was without a doubt the opening scene of Andy Muschietti’s big screen adaptation of Stephen King’s classic novel, IT.
The imagery involving poor little Georgie (Jackson Robert Scott) in the rain with his yellow raincoat looking down towards the sewer talking to Pennywise the Dancing Clown (Bill Skarsgard) has gone down as one of the most iconic scenes in the modern horror genre.
Perhaps more so than any one King’s stories does an opening scene give readers of the novel and viewers of the film a perfect sense of what’s to come. Sitting in a sold-out crowd on opening night for IT was an incredible experience and when this scene played out, one could feel the energy and attention from the audience focused on the screen.
Fans of IT now have the opportunity to officially view the famous opening scene online in high-definition, courtesy of Movieclips Trailers by Fandango. You can watch the scene in all of its HD glory down below:
The opening scene as presented by Movieclips is cut right before Georgie meets his eventual demise and transitions into an ad for Fandango, where tickets for IT can be purchased just in time for Halloween.
The film stars Bill Skarsgård as Pennywise the Clown, Jaeden Lieberher as Bill Denbrough, Jeremy Ray Taylor as Ben Hanscom, Sophia Lillis as Beverly Marsh, Finn Wolfhard as Richie Tozier, Jack Dylan Grazer as Eddie Kaspbrak, Chosen Jacobs as Mike Hanlon, and Wyatt Oleff as Stanley Uris. Here’s the official synopsis:
Based on Stephen King’s best-selling novel. A group of young kids face their biggest fears when they seek answers to the disappearance of children in their hometown of Derry, Maine. They square off against an evil clown named Pennywise, whose history of murder and violence dates back for centuries.
IT is now playing.
Source: Movieclips Trailers
10 Stephen King Adaptations Hollywood Needs To Get Right
With The Dark Tower and It, two of King’s most famous and beloved works, reaching the big screen, it feels like the gates are opening on a new age of Stephen King adaptations
Already we’ve seen 1) a new Carrie movie, 2) Under the Dome and 11/22/63 get TV adaptations 3) Netflix’s upcoming Gerald’s Game, 4) a TV series based on the Mr. Mercedes trilogy, 5) Josh Boone looks to make Revival his follow-up to X-Men: The New Mutants, 5) a new version of Hearts in Atlantis is in the works (just called Hearts) and 6) a Cujo remake, with the amazing title of C.U.J.O. Even Cell got made, plus a personal favorite of mine The Mist is back in the form of a new Syfy series airing later this year (based on both the original novella and Frank Darabont’s superb 2007 film).
Our age of cinematic universes feels tailor-made for the world-renowned author. King is known not only for his productivity but for how his stories interlock together in the same universe (multiverse, if you want to get specific). His entire oeuvre is connected by characters, locations, and events, all centered around the literal and figurative Dark Tower, the structure and book series sit at the center of King’s worlds. Of course, no one entity owns the rights to all of King’s works, so we won’t be seeing, say, Pennywise the Dancing Clown say hi to Idris Elba’s gunslinger in a movie anytime soon, but it speaks to King’s continued relevance.
There are, of course, the adaptations that are sacrosanct and need to no update, plus others where we are simply waiting to see if they happen. Speaking of Darabont, he delivered a trilogy of amazing King adaptations in my opinion between The Shawshank Redemption, The Green Mile, and The Mist. Rob Reiner also mastered the artform, giving us Stand by Me and Misery. There’s already a perfectly-good The Dead Zone movie and TV show. The Tommyknockers and Desperation got the miniseries treatment in 1991 and 2006, respectively. The latter came with a teleplay by King himself, while the former was announced for a new miniseries back in 2013 along with Rosemary’s Baby, the failure of which may have something to do with the radio silence since the announcement. The Shining is actually not one, with King famously disliking the Stanley Kubrick film enough to make a miniseries of his own to “correct” the record (and a Shining prequel is first on our list).
While some works defy or seek re-adaptation, the breadth of the man’s work means there’s plenty of new stuff to mine in the coming years as well. Click Next to learn which to watch out for!
Honorable mentions: The Dark Half, Dolores Claiborne, Apt Pupil, Dreamcatcher