Andrés Muschietti’s adaptation of Stephen King’s IT is tracking pretty high for eventual box office success. Currently, the film is looking to be #1 in its opening weekend at potentially $60 million for the upcoming horror movie based on King’s classic.
The high box office expectations should not be a surprise, especially after the film’s first teaser debuted to incredible success. When it first premiered, the teaser excited viewers who read the book and remembered the original miniseries which featured Tim Curry as Pennywise the Clown.
The marketing campaign for the film has had a significant focus on Georgie in his yellow raincoat and Pennywise (Bill Skarsgård). The trailers have teased the story’s famous scene in which Georgie tragically dies after being lured by Pennywise.
We have been given hints as to how the film will portray this scene. Recently, Muschietti spoke with Collider about that particular scene, to which he expresses that it will be pretty gruesome in his film:
Yeah. And it’s a bit of, this is how it happened. But you have to know something, which is, maybe that you shouldn’t publish it, but in this story, there is no confirmation that Georgie is dead. He’s attacked by Pennywise, and he’s missing an arm, and he tries to get away from the sewer, like he’s dragged into it again, leaving a trail of blood, but his body is never found. And that’s what prompts Bill, that’s basically Bill’s motivation in the story, is finding Georgie alive.
Hopefully, Muschietti does King’s classic justice. If the trailers and TV spots are to be believed, the film could live up to the iconic nature of the book and can also be a great horror film in its own right. Perhaps, audiences will float too.
IT will bring terror to the big screen on September 8, 2017, featuring a cast that includes Bill Skarsgård as Pennywise the Clown, Jaeden Lieberher as Bill Denbrough, Jeremy Ray Taylor as Ben Hanscom, Sophia Lillis as Beverly Marsh, Finn Wolfhard as Richie Tozier, Jack Dylan Grazer as Eddie Kaspbrak, Chosen Jacobs as Mike Hanlon, and Wyatt Oleff as Stanley Uris. A sequel covering the events from the second half of King’s book is planned (as this adaptation only covers the first half), although no release date has been set.
Stephen King Adaptations Hollywood Needs To Get Right
With The Dark Tower and It, two of King’s most famous and beloved works, reaching the big screen, it feels like the gates are opening on a new age of Stephen King adaptations
Already we’ve seen 1) a new Carrie movie, 2) Under the Dome and 11/22/63 get TV adaptations 3) Netflix’s upcoming Gerald’s Game, 4) a TV series based on the Mr. Mercedes trilogy, 5) Josh Boone looks to make Revival his follow-up to X-Men: The New Mutants, 5) a new version of Hearts in Atlantis is in the works (just called Hearts) and 6) a Cujo remake, with the amazing title of C.U.J.O. Even Cell got made, plus a personal favorite of mine The Mist is back in the form of a new Syfy series airing later this year (based on both the original novella and Frank Darabont’s superb 2007 film).
Our age of cinematic universes feels tailor-made for the world-renowned author. King is known not only for his productivity but for how his stories interlock together in the same universe (multiverse, if you want to get specific). His entire oeuvre is connected by characters, locations, and events, all centered around the literal and figurative Dark Tower, the structure and book series sit at the center of King’s worlds. Of course, no one entity owns the rights to all of King’s works, so we won’t be seeing, say, Pennywise the Dancing Clown say hi to Idris Elba’s gunslinger in a movie anytime soon, but it speaks to King’s continued relevance.
There are, of course, the adaptations that are sacrosanct and need to no update, plus others where we are simply waiting to see if they happen. Speaking of Darabont, he delivered a trilogy of amazing King adaptations in my opinion between The Shawshank Redemption, The Green Mile, and The Mist. Rob Reiner also mastered the artform, giving us Stand by Me and Misery. There’s already a perfectly-good The Dead Zone movie and TV show. The Tommyknockers and Desperation got the miniseries treatment in 1991 and 2006, respectively. The latter came with a teleplay by King himself, while the former was announced for a new miniseries back in 2013 along with Rosemary’s Baby, the failure of which may have something to do with the radio silence since the announcement. The Shining is actually not one, with King famously disliking the Stanley Kubrick film enough to make a miniseries of his own to “correct” the record (and a Shining prequel is first on our list).
While some works defy or seek re-adaptation, the breadth of the man’s work means there’s plenty of new stuff to mine in the coming years as well. Click Next to learn which to watch out for!
Honorable mentions: The Dark Half, Dolores Claiborne, Apt Pupil, Dreamcatcher